Ep106: Keith Brammer (Die Kreuzen)

Keith Brammer of Die Kreuzen

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(stream and download – Episode 106)
Hail hail! Welcome to the Home of the Protonic Reversal. Today’s episode features another great in-studio guest (man, we’ve been lucky with these!) Keith Brammer, from Die Kreuzen, Wreck, Crime and Judy, et cetera! This wide ranging conversation touches upon such topics as:

-The weird novelty of listening to one’s own music
-Production quality and choices (You can do anything, and THAT’S what you want?)
-Punk as an encompassing thing vs. an ossified set of rules
-Bands whose sound indicated their record collection
-Solidifying songs in practice vs. at shows
-“I guess I can do that one and not feel physically ill.”
-Starting with no preconcieved notion of the “rules”
-Working at the top of your skill level, whatever it might be
-“A wide swath of nonsense and garbage” back then, just like now
-Touring and booking shows is definitely better with cell phones
-Lee Ving is the nicest
-The incredibly bad logic of throwing a shoe at a band
-Recognizing the opportunity for a situation that will make a great story
-Aerosmith
-Telling the Rick Nielsen story again (deal with it)
-“Gone Away” as the most realized DK song
-Daydream Nation doesn’t entirely lend itself to being played live
-The celebrated utility of a dry erase board in the practice space
-Doing useless demos for Mechanic Records
-Wasting the money of major labels
-Wreck, and the Carnival Strippers
-Picking a movie for your song to be in: PCU vs. Speed
-Cover choices
-All roads lead to D.O.A.
-Discovering bands way later than everyone else
-Picking bands to open the reunion shows, and doing the reunion shows in general
-Tom Hazlemeyer’s Bash
-Creating something that didn’t exist
-How just being able to fuck with people’s heads is extremely rewarding

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